聚落-Collective Urban Formation
高安的旧城和仅存的历史街区，在新一轮的城市化中被拆除，反讽的是，又以新的方式被重建。在这样的背景下，作为高安非物质文化遗产的采茶戏，将以什么方式被呈现和表演？其扎根于历史文化和市井生活的表演形式，又将以什么方式与现今的生活产生连接？
The old city of Gao’an and the remaining historical districts were demolished in a new round of urbanization. Ironically, it was rebuilt in a new way. In this context, in what way will the tea-picking opera, which is Gao’an intangible cultural heritage, be presented and performed? How is it connected to the daily life in the form of performances that are rooted in historical culture and market life?
设计的流向，并非去创建一个宏伟的，声学上完美的殿堂；相反，而是去还原碎片的人文生活的聚合——一个聚合体，它由超越简单采茶戏表演功能的不同文化艺术空间所组成：一个剧院，一个面向湖的多功能剧场，一个美术馆，一个文化馆，一个多功能讲堂，一个采茶戏研究所。
The goal of design is not to create a magnificent, acoustically perfect hall; instead, it is to reintegrate the fragmentation of the human daily life – an aggregate consisting of different cultural and artistic spaces that transcend the function of simple tea-playing performances to multiple activities: a theater, a multi-purpose theater facing the lake, an art gallery, a cultural hall, a multi-purpose lecture hall, a tea-picking institute.
这个聚合体，或者是它们聚集的方式，是尽可能的在人的活动的尺度下，形成姿态各异的，丰富的街区生活。这被认为的作为民间艺术的采茶戏所特有的土壤，以及它所经历的变化而又重新聚集起来的滋养。白色的陶瓷墙板来自江西这个中国著名的瓷器之乡，而曲线的屋顶除了适应剧院升起的需要外，为屋顶太阳能板的铺设提供了结构的支持。
This aggregate, or the way they are gathered, is as much as possible at the scale of human activity, to form a variety of different, rich neighborhood life. This is considered to be the nourishment of the unique soil of the tea-picking opera of folk art, and the changes it has undergone. The white ceramic wall panels come from Jiangxi, the famous hometown of porcelain in China, and the curved roof provides structural support for the roof solar panels in addition to the needs of the theater.
Project Name: Gao’an Tea Picking Opera House
Client: Gao’an Government, Jiangxi Province
Design Team: Feng Xu, Liqun Zhao, Haining Zhou, Lu Yao, Yawen Deng, Qi Song, Zhenzhen Guo, Zheming Song
LDI: BUCG Design Institute
Date: 2017.9-2019.2
Project info: 45000sqm, 38m height